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Figuring Faith and Female Power in the Art of Rubens argues that the Baroque painter, propagandist, and diplomat, Peter Paul Rubens, was not only aware of rapidly shifting religious and cultural attitudes toward women, but actively engaged in shaping them. Today, Rubens's paintings continue to be used -- and abused -- to prescribe and proscribe certain forms of femininity. Repositioning some of the artist's best-known works within seventeenth-century Catholic theology and female court culture, this book provides a feminist corrective to a body of art historical scholarship in which studies of gender and religion are often mutually exclusive. Moving chronologically through Rubens's lengthy career, the author shows that, in relation to the powerful women in his life, Rubens figured the female form as a transhistorical carrier of meaning whose devotional and rhetorical efficacy was heightened rather than diminished by notions of female difference and particularity.

Women in art --- Human figure in art --- Human body in art --- Art --- Composition (Art) --- Figurative art --- Anatomy, Artistic --- Figure drawing --- Figure painting --- Rubens, Peter Paul, --- Rubens, Peter Paul --- Rubens, Pieter Paul --- Rubens --- Rubens, P. P. --- Rubens, Pierre-Paul --- Rubens, Pieter-Pauwel --- Rubens, Pietro Paolo --- רובנס, פטר פאול, --- Criticism and interpretation. --- women [female humans] --- Rubens, --- Rubens, Pierre-Paul, --- Rubens, Pieter Paul, --- Rubens, Pieter-Pauwel, --- Rubens, Pietro Paolo, --- schilderkunst --- vrouwelijke kunstenaars --- 17de eeuw --- Zuidelijke Nederlanden --- Women in art. --- Human figure in art. --- Rubens, Counter Reformation, Gender, Baroque, Flemish art. --- schilderkunst. --- vrouwelijke kunstenaars. --- Rubens, Peter Paul. --- 17de eeuw. --- Zuidelijke Nederlanden.